My chosen monologues
I wanted to choose monologues that would allow me to show all of my skills that I have build up over the course and I wanted the monologues to have juxtaposing story-lines because then I would be able to show different characters that I could play.
My 1st monologue is from Twelfth Night and is performed by Viola.
My 2nd monologue is called Next in Line and is performed by Lucille.
I decide on these monologues as I feel that each one lets me show a different side to what characters I can act in and I really think that I could push some of these monologues to the extreme, especially in the last one and she is very unstable and she has varying levels of anger and upset throughout the entire monologue as we think she has herself under control yet she begins another round of complaining and dissapointment.
For each monologue there were multiple things that I needed to consider as I was going through them:
Each monologue is set in a different place and so visualizing where I am and the exact places of each thing really helps me get into the character.
"I left no ring with her. What means this lady?
Fortune forbid my outside have not charmed her.
She made good view of me; indeed, so much
That, as methought, her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring? Why, he sent her none.
I am the man. If it be so, as 'tis,
Poor lady, she were better love a dream.
Disguise, I see thou art a wickedness
Wherein the pregnant enemy does much.
How easy is it for the proper false
In women's waxen hearts to set their forms!
Alas, our frailty is the cause, not we,
For such as we are made of, such we be.
How will this fadge? My master loves her dearly;
And I (poor monster) fond as much on him;
And she (mistaken) seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master's love.
As I am woman (now alas the day!),
What thriftless sighs shall poor Olivia breathe?
O Time, thou must untangle this, not I;
It is too hard a knot for me t' untie."
My 2nd monologue is called Next in Line and is performed by Lucille.
"In this monologue, Lucille verbally abuses customers for no apparent reason. This is a comedy and meant to be a monologue skit. It’s as if a retail worker can actually speak their mind, this is what might come out. The character is a real bitch, full of sarcasm and attitude. Not someone you would like but it works for the piece written.
LUCILLE: Next in line!
(Looking at the items the customer wishes to purchase)
What is that? You’re actually going to buy that?
HAHAHAHA
Hey, whatever floats your boat lady.
(beat)
What do I mean? Nothing, I’ll get fired, nevermind. Sorry I spoke.
(looking at the next item)
Oh God! Hahaha. Are you serious about those underwears? You can fit a dinosaur in those. Jesus! Why don’t you lose some weight or something? God, my uncles a truck driver and gets extremely lonely on long drives and even HE would pass up on what wears those!
I’m sorry, I’ll shut up now. I’m bad, I know I’m bad. I’m just opinio—Oh NO! BROWNIES!!! You’re going to buy a box, NO, one, two, THREE, THREE boxes of brownies??!!! Wow, hey, be my guest…go for it. Come back in a week for a bigger size of undies. You can always exchange….
(trying not to laugh but then)
HAHAHAHAHAHAHA!!!!!!!!!!!!!!!!!!
What? My manager? My manager is off duty right now. He’s too busy porking the woman who works nextdoor at Subway.
What? You ARE speaking to someone…ME.
(smiles sarcastically)
Come on, come on. Just pass over the next item so you can get back to the farm. Let’s go, keep it moving, let’s go. Come on, come on. Send it down.
Awwwwww, now THAT’S nice. That is really really….HAHAHAHAHAHAHA. YEAH RIGHT! AS IF!!!
A poco dot dress! God, now it makes sense, you work for the circus don’t you? You’re one of those freaks! Do you have free tickets? Do ya? Come on, do ya? Just one, give me a pass for one.
(beat)
Why is your face turning beat red? Are you okay? That’s why you gotta lay off the pasta there babe. I’ll tell you what. Why don’t you go back in the store and buy yourself a salad? A nice healthy salad. Go on, you do that and I’ll be right here waiting for you. Chop, chop! Go on! I’ll give you a recipe!
NEXT IN LINE!
Hello sir! HAHAHA. Oh yeah, you’re gonna need those! Why bother? Condoms? Like you are actually getting laid?
HAHAHAHAHAHA!!!!!
Go buy a mirror instead and take a haaaaard and I mean haaaaard look at
yourself there pal. Whew! Isle seven pal. Yeah, right next to isle six where we sell facial cream, which I strongly suggest you use for those holes in your
face. God have mercy on you! Church! Go to church and say a selfish prayer, be sure to catch the late night mass so you don’t scare anybody.
NEXT IN LINE!!!!"
My 3rd monologue is called Your money's worth and is performed by Carla
You give up so easily! You don't get validation, you walk away. You don't get enough attention, you take some pills. That's the problem with your generation, really. You're over-indulged by your parents and you're spoiled and impatient and entitled. Hence the so-called suicide attempts. You don't want to die, you want people to pity you. It's pathetic.
If you wanted to die, you'd be dead. You would keep trying, over And over, until you got it right. But you don't drink bleach. You don't hang yourself or jump off a bridge or crash your car into a wall. You take pills. You stick your head in the oven. It's a cry for help. So stop wasting your time idealizing and romanticizing death and accept the fact that everyone is miserable. Life is hell for everyone. They just fake it better.
Who are you to think you deserve to be different? Just grow up already! Lose 80 pounds, buy some new clothes. Get a haircut and put on some make-up. Stop looking for fairness and authenticity and inspiration, because they don't exist. Get a job at a bank and get a manicure once a week. Marry a dentist. But for God's sake, don't have children, because your DNA is filled with idealism, and no kid deserves to be saddled with that. When you're unhappy, go shopping. Run five miles a day and grow your own tomatoes. Volunteer at a soup kitchen. Read to visually impaired gay senior citizens. All you have to do is quit whining, show some willpower! You're not special. You are just like everyone else. You think you're in pain, but that's all in your head. Just SNAP OUT OF IT.
I decide on these monologues as I feel that each one lets me show a different side to what characters I can act in and I really think that I could push some of these monologues to the extreme, especially in the last one and she is very unstable and she has varying levels of anger and upset throughout the entire monologue as we think she has herself under control yet she begins another round of complaining and dissapointment.
For each monologue there were multiple things that I needed to consider as I was going through them:
- Where am I?
- What time of day is it?
- Are there are objects around me?
- Do I focus on any of the objects?
- If I do, why?
- Are there other people who I can see?
- Can they see me?
- Do they talk to me?
- Who am I talking to?
Each monologue is set in a different place and so visualizing where I am and the exact places of each thing really helps me get into the character.
No comments:
Post a Comment